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Jumat, 04 Desember 2015

Everest Cinemark

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2 Guns helmer Baltasar Kormakur directs Jake Gyllenhaal, Josh Brolin, Jason Clarke, and John Hawkes in this adventure docudrama set in 1996, when a number of simultaneous expeditions up Mount Everest resulted in the deaths of eight climbers. ~ Jason Buchanan, Rovi

About Everest

Artist : Jake Gyllenhaal, Elizabeth Debicki, Keira Knightley, Robin Wright, Josh Brolin, Sam Worthington, Jason Clarke, Clive Standen, Emily Watson, Michael Kelly, Martin Henderson
As : Scott Fischer, Dr Caroline Mackenzie, Jan Hall, Peach Weathers, Beck Weathers, Guy Cotter, Rob Hall, Ed Viesturs, Helen Wilton, Jon Krakauer, Andy Harris, Doug Hansen
Title : Everest Cinemark
Release date : 2015-09-18
Movie Code : 2719848
Duration : 121
Category : Adventure, Drama, Thriller

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Name : Dave Calhoun / Alias : Time Out
Its screenwriters . have Gladiator and 127 Hours to their names, and Everest combines the muscular, sometimes sentimental force of the former with the sense of physical endurance that made the latter so successful.

Name : James Berardinelli / Alias : ReelViews
Everest takes an inordinate amount of time to get the pieces in place. However, once the group departs base camp and begins the ascent, the film sloughs off its slow pace and transforms into a gripping tale of survival, life, and death.

Name : Bill Goodykoontz / Alias : Arizona Republic
"Everest" is a sprawling mess of a movie, one you feel like could have been great but instead roams all over the place and winds up being just pretty good.

Name : Soren Anderson / Alias : Seattle Times
With its rigorous attention to the technical details of mountain climbing and its sensitive handling of the characters' relationships, it has a you-are-there immediacy unmatched by previous Everest movies.

Name : Alonso Duralde / Alias : TheWrap
Tries and fails to spin too many plates. Each of those real-life climbers no doubt had an interesting story to tell, but when shoved together like this they're all reduced to types rather than people.

Name : Lindsey Bahr / Alias : Associated Press
Fictionalized accounts of real tragedy are not impenetrable. James Cameron made us feel for a ship full of characters we'd never met. "Everest" can't break that seal, and it's a handicap.

Name : Rafer Guzman / Alias : Newsday
A white-knuckle survival film with an outstanding cast.

Name : Jacob Hall / Alias : New York Daily News
Like the mountain for which it's named, "Everest" is rock solid. It's big, it's beautiful, it's terrifying, and it's merciless to both its characters and the audience.

Name : Ben Sachs / Alias : Chicago Reader
For all the natural spectacle, the characters are what hold one's attention.

Name : Kate Taylor / Alias : Globe and Mail
There is no tragic hero here; there is no overarching explanation, but a movie that offered either of those would seem pretty pat.

Name : Anthony Lane / Alias : New Yorker
"Everest," in short, suffers from the same problem as Everest: overcrowding.

Name : Patrick Dunn / Alias : Detroit News
"Everest" is a truly spectacular experience that deserves to be seen on the grandest scale possible.

Name : Peter Howell / Alias : Toronto Star
So imposing is the mountain, and so realistically rendered by Salvatore Totino's camera (plus CGI imaging), it threatens to dwarf any attempt to bring a human element to the tale.

Name : Richard Roeper / Alias : Chicago Sun-Times
Filled with stunning visuals and featuring more than a half-dozen of our best actors delivering solid performances. even though at times it's difficult to distinguish one climber from the next.

Name : A.O. Scott / Alias : New York Times
It never seems to get anywhere, taking up space and time without managing to be especially memorable or imposing.

Name : Justin Chang / Alias : Variety
Although hardly a peak achievement, Baltasar Kormakur's Himalayan epic is a properly grueling, strikingly unsentimental chronicle of the 1996 Mount Everest tragedy.

Name : Todd McCarthy / Alias : Hollywood Reporter
With its perilous central premise and gallery of individuals some of whom are destined not to make it, you could say Everest is a disaster movie in the old Hollywood sense of the term, but it doesn't feel like one. And that's a good thing.

Name : Chris Vognar / Alias : Dallas Morning News
The climbing sequences, which take up the bulk of the movie, pack a visceral punch.

Name : Stephen Whitty / Alias : Newark Star-Ledger
"Everest" is nothing but a long, slow climb. Without any peaks.

Name : Chris Nashawaty / Alias : Entertainment Weekly
No one pays IMAX ticket prices for nuanced human drama, and the film's dizzying climbing scenes and vertiginous don't-look-down moments are what give it its heart-quickening power.

Name : Joe Morgenstern / Alias : Wall Street Journal
If this oft-told tale of courage and folly is seen as a summit to be achieved, the script not only never makes it to base camp but seldom rises above sea level.

Name : Michael Phillips / Alias : Chicago Tribune
Even before the air gets fatally thin, the thinness of the characterizations presents a liability.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
Kormakur never quite latches on to the dramatic momentum. The pacing problems are compounded by some confusion in terms of mistakes that were made, and a difficulty identifying actors through the blizzard.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Unlike many mountain-disaster stories, this is the kind that makes you never want to look at a mountain again.

Name : Peter Travers / Alias : Rolling Stone
In 3D IMAX, a dizzying visual adventure that will knock the wind out of you. As personal drama, not so much.

Name : Michael O'Sullivan / Alias : Washington Post
"Everest" gets several things right, but it fails to find a way to make the average viewer relate to the people on the mountain.

Name : Katie Rife / Alias : AV Club
The best argument in favor of what otherwise would be a pointlessly cruel loss of human life are the sweeping, heart-stoppingly beautiful mountain vistas. (See this one in IMAX if you can.)

Name : Jim Slotek / Alias : Toronto Sun
With a harrowing story to tell, and this many characters, it's a given that character development will be sketchy. The good news is that this cast is capable of turning a little into a lot.

Name : Colin Covert / Alias : Minneapolis Star Tribune
A man vs. nature epic more realistic than most.

Name : Kenneth Turan / Alias : Los Angeles Times
As it turns out, Imax 3-D works better for yaks than it does for people.

Name : Stephanie Zacharek / Alias : Village Voice
Everest is visually splendid, though it loses a few points for its murkiness in rendering its main characters as distinct individuals.

Name : Wesley Morris / Alias : Grantland
The toggling between the base and various points along the way to the summit becomes stressful, then heartbreaking.

Name : Tom Russo / Alias : Boston Globe
An all-star disaster movie lineup makes a surprising showing in the mountaineering thriller "Everest," combining to deliver the sort of restrained drama you might expect from a much smaller film.

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Sabtu, 15 Agustus 2015

☣SECRET☣ Voir And Download Bastards Full HD

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Two brothers (Owen Wilson and Ed Helms) hit the road to find their long-lost dad after they learn that their mom has been lying to them about his death. This comedy was directed by Lawrence Sher.

About Bastards

Artist : Ed Helms, Owen Wilson, Ving Rhames, J K Simmons, Terry Bradshaw
As : , , Rod Hamilton, ,
Title : ☣SECRET☣ Voir And Download Bastards Full HD
Release date : 2017-01-27
Movie Code : 0460012
Duration : 120
Category : Comedy

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Name : Manohla Dargis / Alias : New York Times
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.

Name : Dave Calhoun / Alias : Time Out
'Subtle' is not a word in Tarantino's lexicon. At the film's heart is a fatal attempt to conflate fact with fiction and a celebration of vengeance that's misplaced and embarrassing.

Name : Richard Corliss / Alias : TIME Magazine
Many Tarantino movies are female revenge fantasies, in which strong women plot the deaths of men who wronged them. In Shosanna and Bridget, the writer-director has fashioned two of his steeliest, most principled femmes fatales.

Name : Colin Covert / Alias : Minneapolis Star Tribune
I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.

Name : James Berardinelli / Alias : ReelViews
With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time.

Name : Michael Phillips / Alias : Chicago Tribune
I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.

Name : Elizabeth Weitzman / Alias : New York Daily News
When a man makes a movie this good, you can forgive him the occasional indulgence.

Name : Frank Scheck / Alias : Hollywood Reporter
Art Bastard shines brightest not as a biographical portrait - an aim in which it succeeds only sporadically - but rather as a showcase for the highly imaginative and thoughtful works by the now 76-year-old, too-little-known painter.

Name : Lou Lumenick / Alias : New York Post
Quentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The secret sauce of this delicious romp is the joy of hanging out with a delightfully unruly rebel with a paintbrush.

Name : Amy Nicholson / Alias : I.E. Weekly
Basterds isn't a deep film - honestly, what Tarantino flick is? - but it has moments as sharp as a bayonet and as perverse as war itself.

Name : Kenneth Turan / Alias : Los Angeles Times
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.

Name : Keith Phipps / Alias : AV Club
There's a feast here, particularly in the amazing opening, an unexpected essay on King Kong, and performances by Pitt, Laurent, and Waltz. It's just been placed on a huge table with no consideration of whether it adds up to a meal.

Name : Nick Schager / Alias : Village Voice
Manages to be as cursory as it is intimate, skimming over so much of Cenedella's life and career that it imparts only a hazy impression of who he is and what he believes.

Name : Tom Long / Alias : Detroit News
Basterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.

Name : Stephanie Merry / Alias : Washington Post
Cenedella is rough around the edges, yet he remains fascinating.

Name : Ty Burr / Alias : Boston Globe
Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.

Name : J. R. Jones / Alias : Chicago Reader
Inglourious Basterds is a social marker as startling as Easy Rider was in its day.

Name : Christopher Orr / Alias : The New Republic
The true moral universe in which the film unfolds is that of the spaghetti westerns.: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.

Name : Sheila O'Malley / Alias : RogerEbert.com
Engaging and thought-provoking .

Name : Scott Von Doviak / Alias : Fort Worth Star-Telegram/DFW.com
For anyone who has been hoping to see Tarantino back at the top of his game, the must-see movie of the summer has finally arrived.

Name : David Edelstein / Alias : New York Magazine/Vulture
The movie is an ungainly pastiche, yet on some wacked-out Jungian level it's all of a piece.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Austrian actor Christoph Waltz   triumphs, heroically, over Tarantino's brash, cine-drunk tall tale.

Name : Christy Lemire / Alias : Associated Press
If only Quentin Tarantino the director weren't so completely in love with Quentin Tarantino the writer, Inglourious Basterds might have been a great movie rather than just a good movie with moments of greatness.

Name : Richard Roeper / Alias : Richard Roeper.com
One of the best performances of the decade in one of the most entertaining movies of the year.

Name : Stephanie Zacharek / Alias : Salon.com
Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.

Name : Robert Abele / Alias : Los Angeles Times
Though "Art Bastard" is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it's not terribly cohesive.

Name : Rick Groen / Alias : Globe and Mail
War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.

Name : Peter Howell / Alias : Toronto Star
These Basterds blend into a much richer story, a hugely entertaining one with stars you don't immediately see shining.

Name : J. Hoberman / Alias : Village Voice
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment - rich in fantasy and blithely amoral.

Name : Ben Mankiewicz / Alias : At the Movies
This is a seriously provocative film.

Name : Tomris Laffly / Alias : Time Out
Breezy and vivid, Art Bastard ultimately delivers the person: criminally underrated yet still principled and generous.

Name : Peter Rainer / Alias : Christian Science Monitor
Landa is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant - perhaps even dangerous - lack of concern with the story's moral dimensions.

Name : Mick LaSalle / Alias : San Francisco Chronicle
The picture contains all the things his fans like about Tarantino - the wit, the audacity, the sudden violence - but this movie's emotional core and bigness of spirit are new.

Name : Ben Lyons / Alias : At the Movies
Superbly acted and well constructed, each scene is paced to a chaotic climatic frenzy.

Name : Steven Rea / Alias : Philadelphia Inquirer
Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.

Name : Claudia Puig / Alias : USA Today
The outcome is gory and glorious.

Name : Ann Hornaday / Alias : Washington Post
For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.

Name : Dana Stevens / Alias : Slate
Tarantino's signature nastiness and his juvenile delight in shocking the audience undercut the movie's larger purpose.

Name : Eric Kohn / Alias : indieWIRE
Despite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.

Name : Todd McCarthy / Alias : Variety
By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.

Name : Laremy Legel / Alias : Film.com
Like a bat to the head, it's not too subtle, but you can't help but watch.

Name : David Denby / Alias : New Yorker
Inglourious Basterds is not boring, but it's ridiculous and appallingly insensitive-a Louisville Slugger applied to the head of anyone who has ever taken the Nazis, the war, or the Resistance seriously.

Name : Roger Ebert / Alias : Chicago Sun-Times
Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights.

Name : Tom Charity / Alias : CNN.com
Waltz will be unknown to most American audiences - he was certainly unknown to me - but he's nothing less than sensational as the silky, polyglot SS officer charged by the Fuhrer to root out the remaining Jews in France.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Cenedella may never become a household name, but "Art Bastard" argues persuasively that fame is overrated.

Name : Joanne Kaufman / Alias : Wall Street Journal
All the trademark Tarantino flourishes are here - the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence - but they don't add up to much.

Name : Peter Travers / Alias : Rolling Stone
Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.

Name : Rex Reed / Alias : New York Observer
World War II was more serious, complex and horrifying than all this comic embellishment, but if I sound critical, I apologize in advance. I had a helluva time watching Inglourious Basterds.

Name : Roger Moore / Alias : Orlando Sentinel
Inglourious is slow, dumb - and in a first for QT in his cinema savant career - incompetent.

Name : Rafer Guzman / Alias : Newsday
Tarantino is the most fearlessly inventive filmmaker alive - but we knew that. And while Inglourious Basterds is never anything less than ridiculously entertaining, it's nothing Tarantino hasn't done before.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.

Name : Stephen Holden / Alias : New York Times
"It's not what they show, it's what they don't show," the painter Robert Cenedella complains in "Art Bastard," Victor Kanefsky's robust, plain-talking documentary portrait of this lifelong rebel and art-world gadfly.

Name : John Hartl / Alias : Seattle Times
Tarantino's wartime fantasies may leave history in the dust, but his movie is a surprisingly satisfying contribution to movies about the Holocaust.

Name : Owen Gleiberman / Alias : Variety
The madly teeming pop-cartoon paintings of Robert Cenedella anchor a lively look at a self-styled superstar of outsider art.

Name : Bill Goodykoontz / Alias : Arizona Republic
Tarantino crams enough movie-loving passion into the film to keep you not just entertained but occasionally riveted. Above all else, it's a really enjoyable ride.

Name : Scott Marks / Alias : San Diego Reader
You may not recognize the name going in, but after spending 82 minutes watching director Victor Kanefsky cast a heartfelt lens in Cenedella's direction, you'll never forget him.

Name : Bob Mondello / Alias : NPR
'Art Bastard' is a film about a man who has tilted - and continues to tilt - at the art-world equivalent of Don Quixote's windmills.

Name : Rene Rodriguez / Alias : Miami Herald
Inglourious Basterds transcends the war genre to become its own kind of unique picture: A bloody blast of pure movie bliss.

Name : Tom Maurstad / Alias : Dallas Morning News
Scenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.

Name : Jonathan F. Richards / Alias : Film.com
Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.

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